The Obliterated Man by H
G
Wells
--you shall hear immediately why
not now--Egbert Craddock Cummins
The name remains
still (Heaven help me ! ) Dramatic Critic
Fiery Cross
What
in
little while
know
I write in great trouble and confusion of mind
do what
myself clear
face of terrible difficulties
bear with me
little
When
man is rapidly losing his own identity, he naturally finds
difficulty in expressing himself
make it perfectly plain in
minute, when once I get my grip
story
Let me see--where _am I ?
Ah,
it ! Dead self ! Egbert Craddock Cummins !
disliked writing anything quite so full of "I"
story
full of "I's" before and behind, like the beast in Revelation--the one with
head like
calf,
afraid
But my tastes have changed since I became
Dramatic Critic and studied the masters--G

. S
, G
B
S
, G
R
S
,
others
Everything has changed since then
the story is about myself--so
some excuse
And
really not egotism, because, as
, since those days my identity has undergone an entire alteration

That past !
.
--in those days--rather
nice fellow, rather shy-- taste for grey in my clothes, weedy little moustache, face "interesting," slight stutter which I had caught in my early life from
schoolfellow
Engaged to
very nice girl, named Delia
Fairly new, she was-- cigarettes--liked me because
human and original
Considered
like Lamb--
strength
stutter, I believe
Father, an eminent authority on postage stamps
She read
great deal
British Museum
(A perfect pairing ground for literary people, that British Museum--
read George Egerton and Justin Huntly M'Carthy and Gissing
rest
) We loved
intellectual way, and shared the brightest hopes
(All gone now
) And her father liked me because I seemed honestly eager to hear about stamps
She had no mother
Indeed, I had the happiest prospects
young man
I never went to theatres in those days
My Aunt Charlotte before she died had told me not to

Then Barnaby, the editor
Fiery Cross_, made me--
spasmodic efforts to escape--Dramatic Critic
fine, healthy man, Barnaby, with an enormous head of frizzy black hair and
convincing manner, and he caught me
staircase going
Wembly
He
dining, and was more than usually buoyant
"Hullo, Cummins ! "
"The very man
! " He caught me
shoulder or the collar or something, ran me up the little passage, and flung me over the waste-paper basket
arm-chair
office
"Pray be seated,"
, as
so
Then he ran across the room and came back with some pink and yellow tickets and pushed them into my hand
"Opera Comique,"
, "Thursday; Friday, the Surrey; Saturday, the Frivolity
That's all,
"
"But--" I began

"Glad you're free,"
, snatching some proofs off the desk and beginning to read

"I don't quite understand,"

"_Eigh ? "
,
top
voice,
he thought I had gone and was startled at my remark

"
me to criticise these plays ? "
"Do something with 'em
.
Did
treat ? "
"But
't
"
"Did you call me
fool ? "
"Well, I've never been to
theatre in my life
"
"Virgin soil
"
"But I don't know anything
,
"
"That's just it
New view
No habits
No clichs in stock
Ours is
live paper, not
bag of tricks
None of your clockwork professional journalism
office
And
rely
integrity----"
"But I've conscientious scruples----"
He caught me up suddenly and put me outside his door
"Go and talk to Wembly
,"
"He'll explain
"
As I stood perplexed, he opened the door again, said, "I forgot this," thrust
fourth ticket into my hand (
night--in twenty minutes' time) and slammed the door upon me
His expression was quite calm, but I caught his eye

I hate arguments
I decided that
take his hint and become (to my own destruction)
Dramatic Critic
I walked slowly down the passage to Wembly
That Barnaby has
remarkable persuasive way
He
few suggestions during our very pleasant intercourse of four years that he
ultimately won me round to adopting
It
,
, that
of
yielding disposition; certainly
too apt
my colour from my circumstances
, indeed, to my unfortunate susceptibility to vivid impressions that all my misfortunes are due
already alluded
slight stammer I had acquired from
schoolfellow in my youth
However,
digression
.
I went home in
cab to dress

trouble the reader with my thoughts
first-night audience, strange assembly
,--those I reserve
Memoirs,--nor the humiliating story of how I got lost during the entr'acte in
lot of red plush passages, and saw the third act
gallery
The only point
to lay stress
remarkable effect
acting upon me
remember I had lived
quiet and retired life, and had never been
theatre before,
extremely sensitive to vivid impressions
risk of repetition
insist upon these points

The first effect was
profound amazement, not untinctured by alarm
The phenomenal unnaturalness of acting is
thing discounted
minds of most people by early visits
theatre
They get used
fantastic gestures, the flamboyant emotions, the weird mouthings, melodious snortings, agonising yelps, lip-gnawings, glaring horrors, and other emotional symbolism
stage
It becomes at last
mere deaf-and-dumb language
, which they read intelligently pari passu
hearing
dialogue
But all
new
The thing was called
modern comedy, the people were supposed
English and were dressed like fashionable Americans
current epoch, and I fell
natural error of supposing
actors were trying to represent human beings
I looked round on my first-night audience with
kind of wonder, discovered--as all new Dramatic Critics do--
rested with me to reform the Drama, and, after
supper choked with emotion, went off
office to write
column, piebald with "new paragraphs" (as all my stuff is--it fills out so) and purple with indignation
Barnaby was delighted

But
sleep that night
I dreamt of actors--actors glaring, actors smiting their chests, actors flinging out
handful of extended fingers, actors smiling bitterly, laughing despairingly, falling hopelessly, dying idiotically
I got up at eleven with
slight headache, read my notice
Fiery Cross_, breakfasted, and went back to my room to shave, (It's my habit
) Then an odd thing happened
find my razor
Suddenly it occurred
that I
unpacked it the day before

"Ah ! " said I, in front
looking-glass
Then "Hullo ! "
Quite involuntarily, when I had thought
portmanteau, I had flung up the left arm (fingers fully extended) and clutched at my diaphragm with my right hand
an acutely self-conscious man at all times
The gesture struck me as absolutely novel
I repeated it,
own satisfaction
"Odd ! " Then (rather puzzled) I turned to my portmanteau

After shaving, my mind reverted
acting I had seen, and I entertained myself
cheval glass with some imitations of Jafferay's more exaggerated gestures
"Really, one might think it
disease,"
--"Stage-Walkitis ! " (There's many
truth spoken in jest
) Then, if I remember rightly, I went off
Wembly, and afterwards lunched
British Museum with Delia
We actually spoke about our prospects,
light
new appointment

But that appointment
beginning
downfall
day I necessarily became
persistent theatre-goer, and almost insensibly I began
The next thing I noticed
gesture
razor was to catch myself bowing ineffably when I met Delia, and stooping in an old-fashioned, courtly way over her hand
Directly I caught myself, I straightened myself up and became very uncomfortable
I remember she looked at me curiously
Then,
office,
myself doing "nervous business," fingers on teeth, when Barnaby asked me
question
answer
Then, in some trifling difference with Delia, I clasped my hand to my brow
And I pranced through my social transactions at times singularly like an actor ! I tried not to--no one
more keenly alive
arrant absurdity
histrionic bearing
And