more profound analysis
world has yet seen, fully to investigate and express them
Nevertheless
confirmed
instinctive opinions
voice of all his brethren
Let
"composition" be defective; let an emendation be wrought in its mere arrangement of form; let this emendation be submitted to every artist
; by each will its necessity be admitted
And even far more than this: -- in remedy
defective composition, each insulated member
fraternity
suggested the identical emendation

I repeat that in landscape arrangements alone
physical nature susceptible of exaltation,
, therefore, her susceptibility of improvement at
point, was
mystery I
unable to solve
My own thoughts
had rested
idea
primitive intention of nature
so arranged the earth's surface as
fulfilled at all points man's sense of perfection
beautiful, the sublime, or the picturesque; but
primitive intention
frustrated
known geological disturbances -- disturbances of form and color -- grouping,
correction or allaying
lies the soul of art
The force
idea was much weakened, however,
necessity which it involved of considering the disturbances abnormal and unadapted to any purpose
Ellison who suggested
were prognostic of death
He thus explained: -- Admit the earthly immortality of man
the first intention
then the primitive arrangement
earth's surface adapted
blissful estate, as not existent but designed
The disturbances were the preparations
subsequently conceived deathful condition

"Now," said my friend, "what we regard as exaltation
landscape
really such, as respects only the moral or human point of view
Each alteration
natural scenery may possibly effect
blemish
picture,
suppose this picture viewed at large -- in mass -- from some point distant
earth's surface, although not beyond the limits
atmosphere
easily understood that what might improve
closely scrutinized detail, may
same time injure
general or more distantly observed effect
class of beings, human once, but now invisible to humanity,
, from afar, our disorder may seem order -- our unpicturesqueness picturesque, in
word, the earth-angels, for whose scrutiny more especially than our own, and for whose death -- refined appreciation
beautiful, may
set in array by God the wide landscape-gardens
hemispheres
"
course of discussion, my friend quoted some passages from
writer on landscape-gardening who
supposed
well treated his theme:
"
properly but two styles of landscape-gardening, the natural
artificial
One seeks to recall the original beauty
country, by adapting its means
surrounding scenery, cultivating trees in harmony
hills or plain
neighboring land; detecting and bringing into practice those nice relations of size, proportion, and color which, hid
common observer, are revealed everywhere
experienced student of nature
The result
natural style of gardening, is seen rather
absence of all defects and incongruities --
prevalence of
healthy harmony and order -- than
creation of any special wonders or miracles
The artificial style has
varieties as
different tastes to gratify
It has
certain general
various styles of building
the stately avenues and retirements of Versailles; Italian terraces; and
various mixed old English style, which bears some
domestic Gothic or English Elizabethan architecture
Whatever
said against the abuses
artificial landscape -- gardening,
mixture of pure art in
garden scene adds
great beauty
partly pleasing
eye,
show of order and design, and partly moral

terrace, with an old moss -- covered balustrade, calls up at once
eye the fair forms
passed there in other days
The slightest exhibition of art is an evidence of care and human interest
"
"From what
already observed," said Ellison, "
understand that I reject the idea, here expressed, of recalling the original beauty
country
The original beauty is never so great
introduced
, every thing depends
selection of
spot with capabilities
said about detecting and bringing into practice nice relations of size, proportion, and color, is one
mere vaguenesses of speech which serve to veil inaccuracy of thought
The phrase quoted may mean any thing, or nothing, and guides in no degree
true result
natural style of gardening is seen rather
absence of all defects and incongruities than
creation of any special wonders or miracles, is
proposition better suited
grovelling apprehension
herd than
fervid dreams
man of genius
The negative merit suggested appertains
hobbling criticism which, in letters, would elevate Addison into apotheosis
In truth, while that virtue which consists
mere avoidance of vice appeals directly
understanding, and can thus be circumscribed in rule, the loftier virtue, which flames in creation,
apprehended in its results alone
Rule applies but
merits of denial --
excellencies which refrain
Beyond these, the critical art can but suggest
instructed to build
"Cato," but
in vain told how to conceive
Parthenon or an "Inferno
" The thing done, however; the wonder accomplished;
capacity for apprehension becomes universal
The sophists
negative school who, through inability to create, have scoffed at creation, are now found the loudest in applause
What, in its chrysalis condition of principle, affronted their demure reason, never fails, in its maturity of accomplishment, to extort admiration from their instinct of beauty

"The author's observations
artificial style," continued Ellison, "are less objectionable

mixture of pure art in
garden scene adds
great beauty
just; as also
reference
sense of human interest
The principle expressed is incontrovertible -- but
something beyond it
an object in keeping
principle -- an object unattainable
means ordinarily possessed by individuals, yet which, if attained, would lend
charm
landscape-garden far surpassing that which
sense of merely human interest could bestow

poet, having very unusual pecuniary resources, might, while retaining the necessary idea of art or culture, or, as our author expresses it, of interest, so imbue his designs at once with extent and novelty of beauty,
convey the sentiment of spiritual interference
seen that, in bringing about such result, he secures all the advantages of interest or design, while relieving his work
harshness or technicality
worldly art
most rugged of wildernesses --
most savage
scenes of pure nature --
apparent the art of
creator; yet this art is apparent to reflection only; in no respect has it the obvious force of
feeling
Now
suppose this sense
Almighty design
one step depressed --
brought into something like harmony or consistency
sense of human art --
an intermedium
two: --
imagine, for example,
landscape whose combined vastness and definitiveness -- whose united beauty, magnificence, and strangeness, shall convey the idea of care, or culture, or superintendence,
of beings superior, yet akin to humanity -- then the sentiment of interest is preserved, while the art intervolved is made to assume the air of an intermediate or secondary nature --
nature
not God, nor an emanation from God, but which still is nature
sense
handiwork
angels that hover between man and God
"
in devoting his enormous wealth
embodiment of
vision such
--
free exercise
open air ensured
personal superintendence
plans --
unceasing object which these plans afforded --
high spirituality
object --
contempt of ambition which it enabled him truly
--
perennial springs
it gratified, without possibility of satiating, that one master passion
soul, the thirst for beauty, above all,
sympathy of
woman, not unwomanly, whose loveliness and love enveloped his existence
purple atmosphere of Paradise, that Ellison thought
, and found, exemption
ordinary cares of humanity, with
far greater amount of positive happiness than ever glowed
rapt day-dreams of De Stael

I despair of conveying
reader any distinct conception
marvels which my friend did actually accomplish
to describe, but am disheartened
difficulty of description, and hesitate between detail and generality
Perhaps the better course
to unite the two in their extremes

Mr Ellison's first step regarded,
, the choice of
locality, and scarcely had he commenced thinking
point,
luxuriant nature
Pacific Islands arrested his attention
, he had made up his mind for
voyage
South Seas, when
night's reflection induced him to abandon the idea
"Were I misanthropic,"
, "such
locale would suit me
The thoroughness
insulation and seclusion,
difficulty of ingress and egress, would
case be the charm of charms; but
not Timon
the composure but not the depression of solitude
There must remain with me
certain control over the extent and duration
repose
frequent hours
need, too, the sympathy
poetic in what
Let me seek, then,
spot not far from
populous city -- whose vicinity, also, will best enable me to execute my plans
"
In search of
suitable place so situated, Ellison travelled for several years, and
permitted to accompany him

thousand spots
enraptured he rejected without hesitation, for reasons which satisfied me,
end, that
right
We came
to an elevated table-land of wonderful fertility and beauty, affording
panoramic prospect very little less in extent than that of Aetna, and, in Ellison's opinion
as my own, surpassing the far-famed view
mountain in all the true elements
picturesque

"
aware," said the traveller, as he drew
sigh of deep delight after gazing
scene, entranced, for nearly an hour, "
that here, in my circumstances, nine-tenths
most fastidious of men would rest content
This panorama is indeed glorious, and
rejoice
but
excess
glory
The taste of all the architects
ever known leads them,
sake of 'prospect,'
up buildings on hill-tops
The error is obvious
Grandeur in any
moods, but especially
of extent, startles, excites -- and then fatigues, depresses
occasional scene nothing
better --
constant view nothing worse
And,
constant view, the most objectionable phase of grandeur
of extent; the worst phase of extent, that of distance
at war
sentiment and